Screen Direction

Screen direction is the direction a character is facing as they interact with other people or objects within a shot.

Maintaining screen direction is a major factor in preserving the illusion of continuity. However, it can be disrupted if we accidentally place the camera in the wrong position while shooting coverage.

Look at the following shots placed side by side.

An image Close Up of woman looking to the right placed next to an image Close Up of a man looking to the left.

The person on the left looks right, while the person on the right looks left. They appear to be looking at each other.

Now look at the following shots.

Are they confusing? Where has the camera been placed to create this situation?

An image Close Up of woman looking to the right placed next to an image Close Up of a man also looking to the right.

Both people face the same direction, and they no longer appear to be looking at each other.

So, how do we avoid issues of screen direction?

The 180° rule, also known as the axis of action or “the line,” helps maintain screen direction. It is established by drawing an invisible line between the two interacting characters. We then choose which side of the line we will shoot from.

Close Up of man, he looks down, cut to Close Up of woman, she looks down, cut to Close Up of a red string, Wide Shot to the man and woman standing across from each other, each holding an end of the red string, cut to an Over The Shoulder shot of woman holding the red string, cut to an Over The Shoulder shot of man holding the red string.

If you want to maintain a sense of “real” space and geography, shoot from only one side of the line.

Diagram of the line in the 180-degree rule with two heads and a camera.

It is possible to “cross the line” without confusing the audience as to screen direction. However, we can only do that in the following three ways:

  1. During the shot, establish a new line by having characters cross the line to create a new one.
  2. During the shot, move the camera in an uninterrupted movement across the line to create a new one.
  3. Place the camera directly on the line, thereby neutralizing it. In the subsequent shot, place the camera in any position to establish a new line.

Click through the options to see how.

 

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